Celebrities and Their Salaries

The Pre aspectnt of the United States makes $200 000 a year. A despotic Court justice binds $170 000. The average annual American household in gene prescribe is $34 076. And Steven Segal? He makes $10 one thousand thousand per picture. We motive celebrities to be wish us, and then we dont. We want them to inhabit a tack on of glamour, yet we dont want them to be stuck up. We want to watch at their king-size faces on the screen, yet its our own narcism we nuclear number 18 feeding. Yet one things for sure - we dont like to encounter ab appear them qualification $10 meg for nasty videos. For the intimately part, celebrities ar not worth their enormous paychecks. non but is it a ridiculous set to pay someone to deadlock in front of a camera but it has prejudicious effects on the rest of the entertainment business. delinquent to the al funkyance increases, issue prices are rising, character reference is lowering, and it is adequate increasingly h arder for a television show or movie to be fill in a chance on.         Making money at the movies is problematic, though studios once plan school principal power was a surefire way to receive boffo box- topographic point re morsels. These years star power is limited, and often meaningless, unless the film strikes a grimace with audiences. Theres no justification for some(prenominal) of these high salaries unless you get the thespian in a film with a terrific intellection, give dialect to an anonymous studio executive. Look at Mr. Hollands Opus. The film was cheap. Richard Dreyfuss is no longer a star. But the idea counted. Yet studios go by to have words break through for these gargantuan titles, exploding the current price smidge for the average studio film, including marketing and distribution to $60 jillion. The very(prenominal) is true for television programs such as Mad to the highest degree You and The Simpsons. Helen Hunt and Paul Reiser, the stars of Mad About You demanded ! $1 jillion per successiveness this season (thats a $750 000 raise for both(prenominal)) and got it, raising their tell fees 100 percent, to about $3 million. Howalways, Mad About You is no ER, Seinfeld, or even Friends, the sitcom has never been a too large collision and now in its sixth year its ratings are on the decline. There is also the case of the voices from The Simpsons demanding $150 000 per fortune for provided a two- day-a-week job. Of course, not everyone is beingness greedy. A hardly a(prenominal) pricey workers (St totallyone in Copland, Hanks in Forrest Gump) down been attempting to keep budgets low by forgoing huge upfront payments in supercede for a piece of the profits. Realize though that it is not only when just a handful of actors who are receiving these inflated paychecks. As A-list actors salaries raise, in turn th pay scale for second-tier stars do too. Suddenly, a pal like Tom Arnold is making $1.5 million a movie. though not everyon e in Hollywoods salary has gone(a) up. The middle- class workings master key actor in this effort is getting squeezed, says the Screen Actors Guilds president, Richard Masur. The dispatch levels are sucking all the money up, and everybody else is jammed in at the bottom. If it draw outs, it will put down the working smell of the business.         It may be taking the heart out of the business but it is also affecting the quality of the movies being made. Movies used to be made when the material was repair to be produced. Today the studios are greenlighting a movie as in brief as they can entice a marchioness actor and a good quality director. That is all the trial opinion a studio needs, whether or not the movie is fantastic to be made. Though when a good script does come around studios are left with fewer resources to finance mid-range movies with bragging(a) themes, gifted writing and realistic romance. It is no surprise that at coda years Oscars, major Hollywood movies and stars were virtua! lly turf out out (Jerry Maguire was the only studio film nominated for lift out picture amid a slate of independently produced critical favorites - The side of meat Patient, Fargo, Secrets & Lies and Shine). There is also another problem that is not hardly a new but has gotten worse in late years, stars rewriting their lines. When stars start pulling in these incredible $20 million salaries, it gave them a sense of entitlement, observed Hollywood writer Budd Schilberg. They think they can do anything now-act, write, change the dialogue, whatever.

complimentary to say, a lot of movie stars are not the superi or writers in the world-or even very good readers-and the results of their meddling are seldom attractive. Take for example, the movie update of the classic overbold grand Expectations, actor-turned-writer Ethan Hawke took is upon to write his own new dialogue and the outturn from that stomach? Lets just say that it wont be winning any academy Awards this year or ever.         Featuring A-list actors in television shows and movies is the studios idea of an indemnification policy, stop uping boffo box office and Nielsen ratings. There is a damage to this system of logic though, big stars bomb all the time. Recently, the designer Magnum P.I., Tom Selleck was stipendiary $150 000 to star in The adpressed because he was a familiar TV face. The show was off this week receivable to low ratings. And Bette Midler who has no TV-series experience is say to want image that. Star vehicles have no higher(prenominal) success rate than other shows, says Rich Fr ank, head of production company C3. In a world of cl! utter, the nets think anyone perceptible will involve viewers. This is the same in the world of Sylvester Stallone and Demi Moore, both have the top salaries in their fields and neither have had a hit in at least five dollar bill years. Yet they continue to receive the big bucks due to the studios nugatory hope that the name will draw people to defile tickets and as it stands now, only 30 percent of Hollywood movies ever make money.          roughly insiders insist that the status quo simply cannot continue. originally or later, they predict, a salary crash is inevitable. Theyre going to hit the wall, says producer Albert Ruddy. Its got to get in the near future. It gets to be visionary at a certain point. Until then, studios will continue to shell out the big bucks to stars they see as insurance policies that guarantee box office draw and high Nielsen ratings. Comedian Sandra Bernhard summarizes our feelings outgo when she said, Its out of control, i nflated, bloated, and ugly but I wouldnt mind making a million for doing a movie myself. If you want to get a good essay, order it on our website: BestEssayCheap.com

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